What made X-Ray Spex such a memorable act, in addition to having memorable songs, was the inclusion of a sax player, Lora Logic, who aimed to mirror the band’s singer, Poly Styrene, in her shrieks and vocal acrobatics. Never referencing free jazz, songs like “Obsessed with You” effortlessly merged punk, danceable music and a weird sort of tension absent from contemporaries apart from the Buzzcocks.
The warbling vocal introduction on tracks like “Genetic Engineering” seemed to connect the band with geeky new wave. But angling at some sort of commercial vibe wasn’t really in the cards here. The music was too aggressive, and Styrene’s vocals, while more than adept at bounding between rhythms wouldn’t likely be considered mellifluous by too many folks. All that’s probably a tremendous reason as to why the group was so short lived. But it seemed like all bands of the vintage were.