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Circle One: Let's (Illogically) Blame Rollins

The entire record output of SoCal’s Circle One can easily play from beginning to end without a listener realizing what’s just transpired. The band, at this late date, is really recalled as a part of a much larger group, with the individual attributes being ignored, to a certain extent, to revel in historic glory.

But the early hardcore scene in SoCal, much like in NYC, was riddled with violence and shows were frequently places for music as much for settling scores. In reading various punk histories, including Steven Blush’s American Hardcore, a gang aesthetic gets related. And while that might be a bit much, there’s something to it in light of the Youth Brigade film Let Them Know.

And while that last band seems more important for what it did behind the scenes than for the music it actually recorded, first hand accounts are pretty unrelenting in depicting a few groups – Circle One for sure – as a bunch of tough guys who insinuated themselves into the scene. All of this could be layed at Rollins’ feet. After all, who was a tough guy in the manner he was before a member of Black Flag? I dunno, no one?

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