Amos Poe's the Foreigner: More Bad Film from the Punk Era
As a disclaimer, Amos Poe’s The Foreigner must have been shot and soldered together with some of the cheapest and most easily acquired equipment in New York City. It was the seventies, though. So, there’s that.
But what really interests me about film are the stories that are able to be related through the form. I’d really like to tell you about The Foreigner’s plot, but I can’t. Beyond a foreigner showing up in the States, dressed in white and running around the city, there’s not too much going on.
